As if Rosenfeld doesn't make her own story and project it to her own chosen audience. We get it: you, the critic, get to place yourself above all audiences--Petito's YouTube audience, her actual audience (we gawkers), and the audience now reading about your higher standards. (Thanks for the courtesy "we," though.)
As if Rosenfeld doesn't make her own story and project it to her own chosen audience. We get it: you, the critic, get to place yourself above all audiences--Petito's YouTube audience, her actual audience (we gawkers), and the audience now reading about your higher standards. (Thanks for the courtesy "we," though.)
As for Petito's tragedy, well, they happen. People used to, you know, write plays about them and stuff. Julius Caesar was a real guy who got killed, he's also a fictional guy who gets killed. Just like Petito.
As if Rosenfeld doesn't make her own story and project it to her own chosen audience. We get it: you, the critic, get to place yourself above all audiences--Petito's YouTube audience, her actual audience (we gawkers), and the audience now reading about your higher standards. (Thanks for the courtesy "we," though.)
As for Petito's tragedy, well, they happen. People used to, you know, write plays about them and stuff. Julius Caesar was a real guy who got killed, he's also a fictional guy who gets killed. Just like Petito.