Last week, the nominees for the 2025 Academy Awards were announced. The leading contender with 13 total nominations? Emilia Pérez, a French-produced Spanish-language musical about a transgender Mexican drug lord and her underappreciated girlboss defense attorney. The film lost around $15 million at the box office on a relatively modest $26 million budget, so if you haven’t seen it, you likely aren’t alone and shouldn’t feel bad—it wasn’t made for you anyway.
Emilia Pérez is what people call Oscar bait: the sort of film that is made, seemingly, for the express purpose of catching the attention of the approximately 10,000 members of the Academy of Motion Picture Arts and Sciences. Mostly film-industry insiders, their tastes are predictable. They like austere dramas and social commentary—stories that will make you cry while also attempting to say something about politics. Think of 2016’s Moonlight, a tragedy about a poor, gay drug dealer that grossed $65 million worldwide at the box office. It beat La La Land, which grossed $509 million worldwide, to the title of Best Picture. Or think of Nomadland, which won Best Picture in 2020: It follows a homeless widow who travels the country in a van after losing her job in the Great Recession.