The Free Press
NewslettersSign InSubscribe
My Generation Needs Dance Moms
“Watching Dance Moms, you can’t help but wonder: If I’d been thrown into that environment, could I have done something that awesome?” (via YouTube.com)
‘Dance Moms’ was the American dream distilled to its most ruthless form: relentless ambition, public shaming, brutal feedback, the constant threat of replacement.
By Sascha Seinfeld
11.14.25 — Culture and Ideas
--:--
--:--
Upgrade to Listen
5 mins
Produced by ElevenLabs using AI narration
32
43

Ten years ago, Dance Moms—the cult reality show about the girl prodigies of the Abby Lee Dance Company (ALDC)—felt cozy. I associate it with the faint, hypnotic glow of my laptop balanced on my knees, the episode breakdowns at school the next morning, the sudden influx—myself included—of girls joining my school’s Dance Club.

But rewatching now, the girls are younger than I remember, Abby Lee Miller meaner, the feeling heavier. Nia Sioux, who starred on the show, told me she feels similarly: “I always knew I was young, but once I was an adult and watched the show back, I was like, ‘Oh my gosh, we were babies.’ ”


Watch
She Was a Reality TV Child Star. Now She Tells Her Story.

Sioux found fame at age 9 when she joined the cast of Dance Moms. Now 24, she’s just become a best-selling author, with the release of her memoir last week. The underachiever stopped by the Free Press office this week to talk with my colleague Rafaela Siewert about the bullying she endured during the show’s seven brutal seasons. Listening to their conversation, I kept wondering: Why does my generation still love this show so much? Do I still love it?

Continue Reading The Free Press
To support our journalism, and unlock all of our investigative stories and provocative commentary about the world as it actually is, subscribe below.
Annual
$8.33/month
Billed as $100 yearly
Save 17%!
Monthly
$10/month
Billed as $10 monthly
Already have an account?
Sign In
To read this article, sign in or subscribe
Sascha Seinfeld
Sascha is a writer and junior editor at The Free Press. While at Duke University, her sketch “O-Week” appeared on Inside Amy Schumer and contributed to a Writers’ Guild Award-winning season. She later worked for screenwriting duo Lauren Blum and Rebecca Angelo (Business Affairs Productions), pitching ideas for projects including Dumb Money (2023). After graduating, she wrote, directed, and fundraised for her short film The Final Cut (2024).
Tags:
Celebrity
Movies
TV
Sports
Comments
Join the conversation
Share your thoughts and connect with other readers by becoming a paid subscriber!
Already a paid subscriber? Sign in

No posts

For Free People.
LatestSearchAboutCareersShopPodcastsVideoEvents
Download the app
Download on the Google Play Store
©2025 The Free Press. All Rights Reserved.Powered by Substack.
Privacy∙Terms∙Collection notice