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The Trouble with ‘Murder at the End of the World’
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The Trouble with ‘Murder at the End of the World’
Emma Corrin as Darby Hart in A Murder at the End of the World. (Image courtesy of FX)
Darby Hart is brilliant, young, bisexual, and beautiful. But she’s no feminist hero, writes Kat Rosenfield.
By Kat Rosenfield
01.20.24 — Culture and Ideas
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The Trouble with ‘Murder at the End of the World’
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There’s a scene in the new Hulu show A Murder at the End of the World—before the big whodunit reveal—where the series’ protagonist Darby Hart reveals her one great asset as an investigator: “No one sees a 24-year-old girl coming,” she says, with a wry smile.

On the show, this line is accompanied by ominous, moody music. In my head, though, it’s punctuate…

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Kat Rosenfield
Kat Rosenfield is a culture writer at The Free Press and author of five novels, including the Edgar-nominated No One Will Miss Her. Prior to joining The Free Press, she was a reporter at MTV News and a columnist at UnHerd, where she wrote about American culture and politics. Her work has also appeared in Vulture, Playboy, The Boston Globe, and Reason, among others.
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