The origins of this essay lie in a recent visit to the Middle East shelf in a Washington, D.C., bookstore during a visit from my home in the actual Middle East. I was on a short break from the story I’ve been living and covering in Israel for three decades, and from the tragedies that have become routine for Israelis and for our neighbors since the war that began on October 7, 2023.
As a longtime denizen of bookstores in Western countries, I knew that almost any shop would carry a few titles about the evils of Zionism and Israel, a venerable genre on the Marxist left. But this time I saw a change: The Gaza war had inspired a proliferation of these titles so intense that they now filled much of a shelf. I noticed the same phenomenon in other bookstores in other cities, where there were suddenly more “Gaza” and “Palestine” books, it seemed, than books about the rest of the entire Arab world combined. Humanity now inhabited a new age, according to one title, The World After Gaza. According to another, The Destruction of Palestine Is the Destruction of the Earth. There was Gaza: The Story of a Genocide, and Palestine and Feminist Liberation, and many more examples in the same vein, with more soon to be published. A new literary genre had been born.
The Gaza war has been fought a two-hour drive from my Jerusalem home by people I know, and has claimed the lives of several of them. For me, reading the back covers of these books left the impression of a genre related to the actual territory of Gaza as the Dune novels are related to the actual NASA space program. At the same time, it wasn’t fringe work. Among the practitioners were authors who have recently won a National Book Award, the Pulitzer Prize, and additional accolades.
After reading more in subsequent months, I came to think of the genre as “Gazology.” By this term I don’t mean the study of the real territory of Gaza, or of the terrible human tragedy caused by the Hamas offensive of October 7 and by the Israeli response in the war that followed—vast tracts of Gaza destroyed, tens of thousands of civilians killed along with tens of thousands of combatants, and aftershocks across the Middle East. Gazology is not reportage, and most of its practitioners are not in or even near Gaza or Israel. This is a Western literary genre with its own rules, tropes, and goals.
It’s likely that much Western culture, journalism, and politics in the coming years will be downstream of these books and the ideology behind them. Students in disciplines from anthropology to medicine will be assigned these works and invited to see the world’s problems through the lens of “Gaza.” For this reason, the genre is important. What follows is a survey of five representative samples of the volumes in question, in an attempt to sketch the contours of this expanding body of writing and to understand what it is trying to say.
