Last month I attended The American Rodeo in Arlington, Texas, a city of around 400,000 souls situated between Dallas and Fort Worth. This was my first rodeo, and it did not take me long after entering its host venue, the gargantuan Globe Life Field, to realize that I did not know what a rodeo was. If you’d asked me six weeks ago to define the term, I would have said something like, “It’s when you watch someone career around an enclosed pen on an animal.”
Which is actually not too far off. But what I hadn’t realized is that a rodeo is actually a sporting event.
You see, some people are especially good at bending these animals to their will, and if you are one of those people, you can win competitions for things like making the animals run very fast, or tying the animals up very quickly, or not dying while trying to sit on one of the animals.
Of course, I wasn’t really there for the games; I was there to talk to the crowd about what makes our society so divided. If you’re tuning in for the first time to my new series—“Ben Meets America”—I was born and raised in progressive Brooklyn, I now live in West Hollywood, and I will admit to being soft in some fundamental way. Suffice it to say I get a more transcendent high from watching a torch song than I do from watching a man hurl a small cow to the ground.
But, in fact, theater and rodeo have their similarities. If you’ve been to a play in recent years, you will have suffered the degradation of a “land acknowledgement.” This is when the audience is told before the show—either in an announcement or in the program notes—that they’ve gathered on land stolen from whatever Native American tribe existed there years ago. My sense is that some of this is rooted in the idea that America itself is fundamentally illegitimate. Whatever’s behind it, the inclusion of a land acknowledgement has become de rigueur.
I did not think conservatives did land acknowledgements, so I was surprised when the Native American actor Mo Brings Plenty appeared before the start of one of the competitions and performed a minute or two of indigenous wailing. I believe the intent of this was to, well, acknowledge the fact that Native American bloodshed was central to the expansion of the American West. What I did not expect was the incongruence of what came after. Watch the video and you’ll see what I mean. I’m still puzzling over its significance.
In the end, however, I decided I prefer the conservative version of a land acknowledgement. Unlike the inane liberal sacrament, it appears to be capable of expressing two truths at once: that oceans of indigenous blood were spilled in the creation of this country, and that we live in one of the greatest nations on earth.
Even if one of our favorite spectator sports is man versus cow.
Only paid subscribers can see Ben’s video on The American Rodeo. Become one today and scroll down to watch.